The demolition process left the cell with a hole, which the artist transformed into a window in the shape of a vulva, symbolising the birth of the building into a new life. The original view through the window revealed the brick that was used in the design of the cell, most of whichwas retrieved from the burned-out school in Metelkova. There are two paintings in the cell: the first depicts a blade of grass casting a shadow, while the second shows the floor plan of the prison corridor, above which are photographs of railway tracks. The bed opens into a chest that allows for luggage storage.